A Woman's View: How Hollywood Spoke to Women, 1930-1960 - download pdf or read online

By Jeanine Basinger

ISBN-10: 0819562912

ISBN-13: 9780819562913

During this hugely readable and enjoyable publication, Jeanine Basinger exhibits how the "woman's film" of the 30s, 40s, and 50s despatched a powerful combined message to hundreds of thousands of woman moviegoers. while that such motion pictures exhorted ladies to stay to their "proper" realm of fellows, marriage, and motherhood, they portrayed -- frequently with take pleasure in -- powerful girls taking part in out freeing fantasies of strength, romance, sexuality, luxurious, even wickedness.

Never brain that the celluloid personas of Bette Davis, Myrna Loy, Katharine Hepburn, Joan Crawford, or Rita Hayworth see their folly and go back to their guy or lament his loss within the final 5 mins of the image; for the 1st eighty-five mins the viewers watched as those characters "wore nice outfits, sat on nice furnishings, enjoyed undesirable males, had plenty of intercourse, instructed the area off for proscribing them, even gave their youngsters away."

Basinger examines dozens of movies -- even if melodrama, screwball comedy, musical, movie noir, western, or biopic -- to make a persuasive case that the woman's movie used to be a wealthy, advanced, and subversive style that famous and addressed, if covertly, the issues of ladies.

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I focus on the sleight of hand required to reconcile this rhetoric with slum clearance and population control policies targeting the nation’s poorest and most vulnerable citizens, arguing that Gandhi’s maternalist discourse presupposes a reproductive, eugenic model as the means of national futurity. Gandhi thus understands the Emergency as fighting against the atavistic forces (either in the guise of her political enemies or in the over-reproductive wombs of the nation’s underprivileged) that threaten to overwhelm and stall India’s progress.

Wells was in the process of very publicly denouncing as apocryphal, Gilman was undoubtedly leveraging the race politics of her time and overwriting the real histories of sexual violence against African American women and the lynching of African American men. ”34 Here, as elsewhere, Gilman leverages a racialized threat of sexual violence against white women as one plank of a larger feminist argument. That she perceived white southern women at risk of being raped by African American men is further stated in a 1904 article in which she writes that in the South “women suffer most frequently from masculine attack .

S. imperialism with the Spanish–American War, and the burgeoning women’s movement, social evolution offered a way to make sense of social unrest in the present as well as to predict a more perfect future. Linking biology and culture into a scientific theory of change, social evolutionary theory provided reformers with a blueprint for progress. ’”7 Despite civilization discourse’s dependence on an explicitly racialized hierarchy, African American intellectuals of the era likewise reasoned “along .

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A Woman's View: How Hollywood Spoke to Women, 1930-1960 by Jeanine Basinger

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