By Jay MacLeod
This vintage textual content addresses probably the most very important concerns in smooth social idea and coverage: how social inequality is reproduced from one new release to the following. With the unique 1987 book of Ain’t No Makin’ It Jay MacLeod introduced us to the Clarendon Heights housing venture the place we met the “Brothers” and the “Hallway Hangers.” Their tale of poverty, race, and defeatism moved readers and challenged ethnic stereotypes. MacLeod’s go back 8 years later, and the ensuing 1995 revision, printed little development within the lives of those males as they struggled within the exertions industry and crime-ridden underground economy.
The 3rd variation of this vintage ethnography of social replica brings the tale of inequality and social mobility into today’s discussion. Now absolutely up-to-date with 13 new interviews from the unique Hallway Hangers and Brothers, in addition to new theoretical research and comparability to the unique conclusions, Ain’t No Makin’ It is still an well known and priceless text.
Part One: The Hallway Hangers and the Brothers as Teenagers
1. Social Immobility within the Land of Opportunity
2. Social replica in Theoretical Perspective
three. young children in Clarendon Heights: The Hallway Hangers and the Brothers
four. The effect of the Family
five. the area of labor: Aspirations of the Hangers and Brothers
6. university: getting ready for the Competition
7. Leveled Aspirations: Social replica Takes Its Toll
eight. replica conception Reconsidered
Part : 8 Years Later: Low source of revenue, Low Outcome
nine. The Hallway Hangers: Dealing in Despair
10. The Brothers: goals Deferred
eleven. end: Outclassed and Outcast(e)
Part 3: Ain’t No Makin’ It?
12. The Hallway Hangers: struggling with for a Foothold at Forty
thirteen. The Brothers: slightly Making It
14. Making feel of the tales, by means of Katherine McClelland and David Karen
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Additional info for Ain't No Makin' It: Aspirations and Attainment in a Low-Income Neighborhood, Third Edition
His temper is explosive, and under the influence of alcohol or drugs, he has been known to accost strangers, beat up friends, or pull a knife on anyone who challenges him. On one occasion, he repeatedly stabbed himself in the head in a fit of masochistic machismo. Although Frankie and Slick also consider themselves alcoholics, Shorty’s drinking problem is more severe. The county court ordered him to a detoxification center—an arrangement Shorty has slyly managed to avoid. Like the other three boys, Chris is a self-professed alcoholic who also admits to being dependent on marijuana.
In June 1983, John Grace, a bartender in a pub across the city, shot two police officers and was himself wounded in a gunfight in Clarendon Heights. All three survived, and at the time of this interview, Grace was awaiting trial in a county jail where two of Frankie’s brothers were also serving time. “Fucking Grace, he’s my man. He’s taken care of. My brother says he’ll have a fucking joint when he see him in his cell. He’s in lockup, but they take care of him. He’s a big fucking dude. He’s respected up there, man.
You hafta at least know what bein’ in a cell is like. (in a group discussion) jm: So how is it that to be what’s good down here, to be respected . . slick: You gotta be bad. frankie: Yeah, if you’re a straight-A student, you get razzed. slick: Then you’re a fucking weirdo, and you shouldn’t be living here in the first place. shorty: No, you got people down here who don’t drink and don’t smoke. slick: Who? Name one. shorty: Crane. Bruce Crane. frankie: Yeah, but like he’s sayin’, whadda we think of Bruce Crane?
Ain't No Makin' It: Aspirations and Attainment in a Low-Income Neighborhood, Third Edition by Jay MacLeod