By Craig Waddell
Craig Waddell provides essays investigating Rachel Carson’s influential 1962 publication, Silent Spring. In his foreword, Paul Brooks, Carson’s editor at Houghton Mifflin, describes the method that led to Silent Spring. In an afterword, Linda Lear, Carson’s contemporary biographer, recollects the top of Carson’s lifestyles and descriptions the eye that Carson’s ebook and Carson herself bought from students and biographers, consciousness that centred so minutely on her existence that it detracted from a spotlight on her paintings. The foreword through Brooks and the afterword through Lear body this exploration in the context of Carson’s lifestyles and work. Contributors are Edward P. J. Corbett, Carol B, Gartner, Cheryll Glotfelty, Randy Harris, M. Jimmie Killingsworth, Linda Lear, Ralph H. Lutts, Christine Oravec, Jacqueline S. Palmer, Markus J. Peterson, Tarla Rai Peterson, and Craig Waddell. jointly, those essays discover Silent Spring’s effectiveness in conveying its traumatic message and the rhetorical concepts that helped create its vast effect.
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Additional resources for And No Birds Sing: Rhetorical Analyses of Rachel Carson's Silent Spring
Government exploded the world's first thermonuclear device, followed by the Soviets' detonation of their own device in August 1953. In March 1954, the United States tested its first portable superbomb (SIPRI: 1968/69 242; Fowler 16, 209). By the early 1950s, the public was extraordinarily interested in atomic weapons. This early interest reflected nationalistic pride, fear of the Soviets, and fascination with the bombs and the mysteries of radioactivity rather than a major concern about public health.
Silent Spring was a landmark in the development of an ecological perspective. It did much to accelerate the new environmentalism and generated the most widespread public consideration of environmental ethics to that date. (Nash 78) Silent Spring became one of the seminal volumes in conservation history: the Uncle Tom's Cabin of modern environmentalism. . is now recognized as one of the truly important books of this century. More than any other, it changed the way Americans, and people around the world, looked at the reckless way we live on this planet.
Fish and Wildlife Service), and in 1936, she obtained a full-time position with the bureau (Brooks 1920). One of her first assignments was to write a piece about the sea for one of the bureau's radio broadcasts. Although her supervisor rejected the resulting essay, he encouraged her to submit the piece to the Atlantic Monthly. " Shortly thereafter, Quincy Howe, the senior editor of Simon and Schuster, wrote to Carson asking if she planned a book on this subject (Lear, Rachel Carson 8890). Although she had not previously considered a book, with Howe's encouragement, Carson pursued this idea.
And No Birds Sing: Rhetorical Analyses of Rachel Carson's Silent Spring by Craig Waddell